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Flying skirts (16 images)

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In the poor neighborhoods of this Andean city, wrestling Cholitas represent the Aymara indigenous women on a theatrical, partially comic and partially tragical choreography of their struggle as women to get ahead and gain respect on a mestizo and male chauvinist society. At the same time they attract and keep the audience interested in the fights swinging their long skirts and braids and shaking their bodies with movements whose sexual connotation is often more than just a hint.
  • In the poor neighborhoods of this Andean city, wrestling Cholitas represent the Aymara indigenous women on a teatrized, partially comic and partially tragedic, choreography of their struggle as women to get ahead and gain respect on a mestizo and machist society. At the same time they attract and keep the audience interested in the fights swinging their long skirts and shaking their bodies with movements whose sexual conotation is often more than a hint.

  • In the poor neighborhoods of this Andean city, wrestling Cholitas represent the Aymara indigenous women on a teatrized, partially comic and partially tragedic, choreography of their struggle as women to get ahead and gain respect on a mestizo and machist society. At the same time they attract and keep the audience interested in the fights swinging their long skirts and shaking their bodies with movements whose sexual conotation is often more than a hint.

  • In the poor neighborhoods of this Andean city, wrestling Cholitas represent the Aymara indigenous women on a teatrized, partially comic and partially tragedic, choreography of their struggle as women to get ahead and gain respect on a mestizo and machist society. At the same time they attract and keep the audience interested in the fights swinging their long skirts and shaking their bodies with movements whose sexual conotation is often more than a hint.

  • In the poor neighborhoods of this Andean city, wrestling Cholitas represent the Aymara indigenous women on a teatrized, partially comic and partially tragedic, choreography of their struggle as women to get ahead and gain respect on a mestizo and machist society. At the same time they attract and keep the audience interested in the fights swinging their long skirts and shaking their bodies with movements whose sexual conotation is often more than a hint.

  • In the poor neighborhoods of this Andean city, wrestling Cholitas represent the Aymara indigenous women on a teatrized, partially comic and partially tragedic, choreography of their struggle as women to get ahead and gain respect on a mestizo and machist society. At the same time they attract and keep the audience interested in the fights swinging their long skirts and shaking their bodies with movements whose sexual conotation is often more than a hint.

  • In the poor neighborhoods of this Andean city, wrestling Cholitas represent the Aymara indigenous women on a teatrized, partially comic and partially tragedic, choreography of their struggle as women to get ahead and gain respect on a mestizo and machist society. At the same time they attract and keep the audience interested in the fights swinging their long skirts and shaking their bodies with movements whose sexual conotation is often more than a hint.

  • In the poor neighborhoods of this Andean city, wrestling Cholitas represent the Aymara indigenous women on a teatrized, partially comic and partially tragedic, choreography of their struggle as women to get ahead and gain respect on a mestizo and machist society. At the same time they attract and keep the audience interested in the fights swinging their long skirts and shaking their bodies with movements whose sexual conotation is often more than a hint.

  • In the poor neighborhoods of this Andean city, wrestling Cholitas represent the Aymara indigenous women on a teatrized, partially comic and partially tragedic, choreography of their struggle as women to get ahead and gain respect on a mestizo and machist society. At the same time they attract and keep the audience interested in the fights swinging their long skirts and shaking their bodies with movements whose sexual conotation is often more than a hint.

  • In the poor neighborhoods of this Andean city, wrestling Cholitas represent the Aymara indigenous women on a teatrized, partially comic and partially tragedic, choreography of their struggle as women to get ahead and gain respect on a mestizo and machist society. At the same time they attract and keep the audience interested in the fights swinging their long skirts and shaking their bodies with movements whose sexual conotation is often more than a hint.

  • In the poor neighborhoods of this Andean city, wrestling Cholitas represent the Aymara indigenous women on a teatrized, partially comic and partially tragedic, choreography of their struggle as women to get ahead and gain respect on a mestizo and machist society. At the same time they attract and keep the audience interested in the fights swinging their long skirts and shaking their bodies with movements whose sexual conotation is often more than a hint.

  • In the poor neighborhoods of this Andean city, wrestling Cholitas represent the Aymara indigenous women on a teatrized, partially comic and partially tragedic, choreography of their struggle as women to get ahead and gain respect on a mestizo and machist society. At the same time they attract and keep the audience interested in the fights swinging their long skirts and shaking their bodies with movements whose sexual conotation is often more than a hint.

  • In the poor neighborhoods of this Andean city, wrestling Cholitas represent the Aymara indigenous women on a teatrized, partially comic and partially tragedic, choreography of their struggle as women to get ahead and gain respect on a mestizo and machist society. At the same time they attract and keep the audience interested in the fights swinging their long skirts and shaking their bodies with movements whose sexual conotation is often more than a hint.

  • Cholita wrestlers fight during a private show at a house in La Paz, Bolivia, Saturday, July 10, 2010. (Photo Dado Galdieri)

  • Cholita wrestlers fight during a private show at a house in La Paz, Bolivia, Saturday, July 10, 2010. (Photo Dado Galdieri)

  • Wrestler Carmen Rosa, Yolanda and Julia la Paceña fight at ring set on a courtyard of a house in La Paz, Bolivia, Saturday, July 3, 2010.

  • Wrestler Carmen Rosa, Yolanda and Julia la Paceña fight at ring set on a courtyard of a house in La Paz, Bolivia, Saturday, July 3, 2010.

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